黑料正能量

Whether a dancer is trained or untrained, the action of dancing itself creates 鈥渃ontact with different sources of knowledge,鈥� says Paula Ditzel Facci, who spent the fall 2016 semester as a visiting scholar at 黑料正能量. The knowledge, which can be 鈥渋ntellectual, intuitive, bodily and emotional,鈥� provides opportunities for internal and interpersonal peace.

Facci, the author of On Human Potential: Peace and Conflict Transformation Fostered Through Dance (LIT Verlag, 2011), came to 黑料正能量鈥檚 on a recommendation from CJP co-founder and well-known conflict transformation pioneer John Paul Lederach, now professor of international peacebuilding at University of Notre Dame.

Here, she continued her research towards a doctorate in peace and conflict studies at University Jaume I (Castell贸n, Spain).

Her presence also helped 黑料正能量 move towards further exploration of a potential Master of Fine Arts program focusing on the arts and media in peacebuilding and justice advocacy work.

Arts-based peacebuilding has strong foundation at 黑料正能量

鈥淗earing about Paula鈥檚 research and practical work helped us think about the challenges and potential benefits of developing this MFA,鈥� said Academic Programs Director . 鈥淲e give priority to visitors who are doing innovative work that matches our own growing edges. In this regard, Paula was a great visitor, because we have been exploring the role of arts in peacebuilding and justice-promoting activities for a number of years.鈥�

The prospective MFA program, which would be lodged in the and department, would also benefit from CJP鈥檚 rich history of peacebuilding practitioners who use and share arts-based approaches.

Facci鈥檚 focus on dance also connected with the Strategies for Trauma Awareness and Resilience program where Director is also working on a doctorate with an emphasis on body movement and trauma/resilience work, Docherty said.

Movement can transform conflict

During the semester, Facci led weekly arts-based participatory research on 鈥渄ance as a method to elicit conflict transformation鈥� with a group of students, faculty and staff.

鈥淭he proposal was to facilitate a space where we could explore movement and its potential to elicit transformation and unfold peace, through exercises based on dance, guided breathing and imagery, meditation and theater,鈥� she says.

Then Facci collected reflective interviews from the dancers to inform her doctoral research.

Facci鈥檚 scholarly work is rooted in her own training in meditation, as well as arts-based movement for social change, such as Theater of the Oppressed and Theater for Living, as well as Gabrielle Roth鈥檚 5Rhythms dance.

The Brazilian native has also studied peace and conflict, international relations, nonprofit organizations, foreign languages, and human rights; taught these subjects in various universities and schools; and worked for Brazil鈥檚 Funda莽茫o F茅 e Alegria (Faith and Joy Foundation), a movement for integral popular education and social promotion for children and youth.

But before all this, she danced. Starting with folk dances at school and family parties, Facci then began taking formal lessons at age seven. Since then, she has studied ballet, jazz, contemporary and folk dance.

While at 黑料正能量, Facci also audited courses in psychosocial trauma, identity and dignity and circle processes; took a STAR training; and gave a presentation about her research.

Professor served as a mentor for this 鈥渋mpressive scholar, innovative practitioner, and incredibly humble, loving and joyful person,鈥� and says that watching Facci work has provided 鈥渁 great example for me on the possibilities of rooting our scholarship and practice right here on our campus so that it can enhance our student body and broader campus community.鈥�