Derrick Turner Archives - 黑料正能量 News /now/news/tag/derrick-turner/ News from the 黑料正能量 community. Tue, 19 Jul 2016 15:21:15 +0000 en-US hourly 1 https://wordpress.org/?v=6.9 黑料正能量 theater experience has been ‘soul-snatching’ for this history-major-turned-award-winning-dramaturg /now/news/2016/emu-theater-experience-has-been-soul-snatching-for-this-history-major-turned-award-winning-dramaturgist/ Fri, 05 Feb 2016 17:06:06 +0000 http://emu.edu/now/news/?p=26857 Senior Derrick Turner believes in letting theater speak for itself. His position as a dramaturg facilitates exactly that 鈥 providing a design team, cast, and audience with the information necessary for a play’s message to be conveyed.聽 Turner’s intensive research and insight for 黑料正能量’s fall 2015 production of the musical 鈥溾 was awarded the‘s (KCACTF) Student Dramaturgy Award.

鈥淚 didn’t know what award-winning work looked like,鈥 says Turner, 鈥淚 just do!鈥

Compiling notebooks and creating study guides

Derrick Turner in the stacks at Hartzler Library, one of the places where he conducted dramaturgy work. (Photo by Andrew Strack)

Dramaturgy is a loosely defined field 鈥 its main goal, in any setting, is to provide informative direction for the members of a theatrical production to create the highest quality performance possible.

For 鈥淔rog and Toad,鈥 a children’s theater piece based on the adventures of a sour toad and an upbeat frog, Turner鈥檚 dramaturgy work took the form of extensive animal and author research, compiled into notebooks for each cast member.

One cast member had never seen a toad before, 鈥渟o when doing movement exercises where they embodied their animal, he was at a loss,鈥 Turner says. To add authenticity to the play, he had the actor watch videos of toads to emulate their motions.

Additionally, Turner compiled a study guide for approximately 600 elementary and middle school students who attended performances.

鈥淗e also generated accessible and useful details about previous productions of the script 鈥渁utobiographical insights on author Arnold Lobel, and hints on how best to connect with children based on the work of educational theorists,鈥 says 黑料正能量 professor .

鈥淔rog and Toad stories are a wonderful way to teach empathy to children,鈥 says Turner. 鈥淚 wanted to stay true to that.鈥

Working closely with each cast and design team member, Turner helped shape the production to its Shenandoah Valley locale. A farmer mouse, an electrician red-spotted newt, and a turtle with a washboard belly were aesthetic and cultural choices to give the play a home in Rockingham County.

Derrick Turner performs in “Hickorydickory,” a performance which earned a nomination to the KCACTF regional festival in West Chester, Pennsylvania, this spring. (Courtesy photo)

In Turner’s words, that is another role of the dramaturg 鈥 to 鈥渒eep it grounded鈥 鈥 by being aware of context and giving critical feedback.

A change of heart

“I’ve always had this love-hate relationship with the theater,鈥 explains Turner, who got his first taste of the drama department when asked to operate the lighting system for the spring 2014 performance of 鈥淚nto the Woods.鈥 From there, he says, 鈥渕y soul slowly but surely got sold to the theater,鈥 culminating in an independent study in dramaturgy with Vogel.

Turner’s performance in 鈥溾 in the fall of 2015 earned a nomination to the KCACTF’s regional festival in West Chester, Pennsylvania, yet he held no visions of grandeur when submitting his 鈥淔rog and Toad鈥 portfolio for the dramaturgy competition. In fact, he left before the award ceremony with others carpooling back to 黑料正能量. Vogel texted him to inform him of his accolade.

鈥淪hut the front door!鈥 Turner responded. 鈥淚t was almost like being struck by lightning.鈥

National participation pending

Vogel puts Turner鈥檚 win in perspective: 鈥淒errick, representing KCACTF Region 2, is now one of eight student dramaturgs from across the country eligible to present their work at the Kennedy Center in Washington D.C. He bested student dramaturgs from all over Northern Virginia, West Virginia, Pennsylvania, Maryland, New Jersey, southern New York state, and eastern Ohio.鈥

In March, Turner will find out if he is one of four students invited to compete at the national level at the Kennedy Center’s April 2016 festival.

While his vocational dream, as a , was to curate at a Smithsonian museum, Turner now sees career opportunities in dramaturgy. He is currently involved with a campus production of 鈥淒istant Witness,鈥 and is applying for a summer fellowship with the Shakespeare Theater Company in Washington, and was recently contacted by the Dramaturgy National Coordinator for KCACTF to discuss Turner’s interest in the profession of dramaturgy.

鈥淒oors are opening; I just have to continue walking,鈥 he said with characteristic understatement. While Turner prefers to 鈥渇ly under the radar,鈥 the acclaim his dramaturgy has garnered speaks for itself.

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Winsome creatures from Appalachia take the stage in Tony-nominated musical ‘A Year with Frog and Toad’ /now/news/2015/winsome-creatures-from-appalachia-take-the-stage-in-tony-nominated-musical-a-year-with-frog-and-toad/ Tue, 10 Nov 2015 14:45:39 +0000 http://emu.edu/now/news/?p=25926 Singing and dancing animals in 黑料正能量鈥檚 MainStage Theater? A fly fishing frog and toad, an Appalachian Trail-hiking snail and mining moles? A community of critters showing how delightful life can be when you have a best bud? What are those theater folks up to now?

Actors in “A Year with Frog and Toad”: from left, Zoe Parakuo as Mouse, Bianica Baker as Bird, Christian Parks as Toad, Hailey Holcomb as Squirrel, and Ezrionna Prioleau as Snail. (Courtesy photo)

The Tony-nominated Broadway musical 鈥淎 Year with Frog and Toad鈥 is based on author/illustrator Arnold Lobel鈥檚 鈥淔rog and Toad鈥 children鈥檚 book series. The musical, directed by professor opens Nov. 20. Additional performances are Nov. 21 and Dec. 3, 4 and 5 at 7:30 p.m. with matinees Nov. 22 and Dec. 5 at 3 p.m. Tickets can be purchased through the 黑料正能量 box office at 540-432-4582 or聽.

鈥淥ur production聽is set here in the Shenandoah Valley and the animals are the kind you would find in the woods and ditches right here in western Virginia,鈥 says Vogel. Her vision was to have the actors portray human characters with animal qualities instead of being in animal costumes. 鈥淭he actors have studied the way the animals move and are using that in their portrayals. Also, the characters reflect folks you might meet here too.鈥

For history major Derrick Turner, assistant director and dramaturg, the show brings back memories. 鈥淚 loved those books. My mom read them to me when I was a child.鈥

To spark the actors鈥 imaginations, Turner conducted extensive research with 黑料正能量 professor and conservation photographer . He then compiled movement videos and information on each portrayed animal for the actors, including habitat, food and skeletal structures.

黑料正能量 hasn鈥檛 done a children鈥檚 play in at least a decade, Vogel says, but the play meets the ‘s educational goals. 鈥淭heater for Young Audiences (TYA) is a hugely important genre of theater that our students should have experience performing and producing. Children are a different audience than adults.鈥

The cast will perform three additional matinees for students from six local schools and three home school groups, says Turner, who made study packets accessible for K-5 grades.

鈥淎dults are much more well-behaved, but I find performing for children is a much more interactive experience,鈥 says actor Josh Helmuth, a music composition major who performed for elementary students while in high school.

Helmuth portrays four animals, including a showy bird and a straight and narrow lizard. 鈥淵eah, I don鈥檛 get a break,鈥 he says, smiling.

Playing animals has never been a favorite role for English and theater double-major Makayla Baker. 鈥淚 don鈥檛 like when people portray animals. It鈥檚 so weird. But here I am鈥擨鈥檓 a turtle,鈥 she deadpans. 鈥淏ut it鈥檚 been great.鈥

Baker鈥檚 turtle is a laundry woman carrying a basket on her back and a scrub board around her neck.

Myriam Aziz, a graduate student in the master鈥檚 conflict transformation program, was cast as Frog. 鈥淎 female playing a part for a male, I think that鈥檚 really funny,鈥 says Aziz, who is active in theater in Lebanon. But having a male as a pal, she says, 鈥渞eminds me of my friend back home. We鈥檝e been friends for 13 years.鈥

The cast and crew agree that even though 鈥淎 Year With Frog and Toad鈥 is based on a children鈥檚 book series, adults will also appreciate the cheerful upbeat musical.

鈥淭here鈥檚 a lot of comedic effect in it,鈥 Helmuth says.

鈥淚t is funny,鈥 says Baker, noting that the 黑料正能量 community is inviting younger family members and people from their church to the show. 鈥淎 lot of 黑料正能量 students were raised on these books.鈥

Cast

Myriam Aziz, Christian Parks, Ezrionna Prioleau, Bianica Baker, Esther Ajayi, Josh Helmuth, Makayla Baker, Zoe Parakuo, Hailey Holcomb

Crew

Director 鈥 Heidi Winters Vogel
Choreographer and Costume Designer –
Accompanist 鈥 Jim Clemens
Stage Manager – Caitlin Randazzo
Assistant Stage Managers – Lydia Hales and Belen Fernandez
Props Designers – Alex Rosenberg and Kevin Clark
Assistant Lighting Designer – Sierra Comer
Assistant Director and Dramaturg – Derrick Turner
Music Director –
Set Designer –
Lighting Designer –

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